![]() ![]() This isn't a deal-breaker as having a control surface often negates the need of having a mix window or console view open all that often in a DAW. From testing other control surfaces with Studio One we can report this slight lag between what the control surface is doing and what we see in Studio One's console isn't unique to the StudioLive. The StudioLive Series III touch-sensitive motorized capacitive faders feel purposeful and responsive, though the movement between positions in Studio One's Console lag slightly behind physical inputs on the console. ![]() Channel colours are selectable from either within Studio One by clicking the colour bar beside a channel or by pressing the gear symbol directly on the StudioLive's touch screen. The StudioLive Series III range thankfully includes such capabilities showing bright colours under each channel select button. For years these colours would only show within the DAW domain, however, with advances in technology in recent years, more and more control surfaces include the ability to display channel colours per fader. Colours On DisplayĬhannel colour coding in a DAW helps us navigate around sessions. Throughout this article we look closely at several key areas we feel are important aspects of a control surface. ![]() This setup enables the StudioLive Series III to be used as a control surface enabling you to use any audio interface you wish. Press the green DAW button next the UCNET and the faders will fly into action. Select the Studio One option using your finger on the touch display Use the encoder below the display to scroll the menu down if needed. From the drop-down menu you will find an option for Studio One. Launch Studio One and a Song you wish to use the StudioLive as a control surface with. To set up the StudioLive in Studio One follow these steps:Ĭonnect the StudioLive to your computer via Ethernet and USB.ĭownload and run Universal Control from the PreSonus website to ensure the connection is live. Like most control surfaces the StudioLive Series 3 is a fairly simple device to set up though the manual wasn’t totally clear on how to achieve this. ![]() Testing PreSonus’s StudioLive 32SX As A Dedicated Control Surface In Studio One Record and playback up to 64 channels, almost twice that of previous generationsĪVB over Ethernet for use with PreSonus NSB stage boxes and EarMix 16M personal monitor mixersįully recallable XMAX preamps with ultra-low noise floorĢ5 touch-sensitive capacitive motorized faders allowing you to mix with precisionĢ4 DCA groups helping you manage complex productions with high channel countsįLEX FX multi-effects processor vaunts 4 slots of reverb emulations and delays with 4 dedicated effects busesįat Channel processing providing vintage EQ and compression options for each channelįull colour touchscreen and channel scribble stripsĪdvanced scene management helping you manage complex mixing tasks more efficientlyġ6 Flex Mixes which can be used as aux mixes, subgroups, or matrix mixesĭAW control with advanced Studio One integration, MCU emulation for Logic, and HUI emulation for Pro Tools The StudioLive Series III unit we have on loan for testing is the 32SX which costs $3,600 and features:Īn SD card recorder for capturing live events on the flyĭual-core FLEX DSP engine possesses enough processing muscle to run 286 simultaneous processors, 26 mix buses, and 40 mixing channels ![]()
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